First Term (Fall) |
T |
P |
C |
ECTS |
CMP071 |
ELECTIVE COURSE I |
|
2 |
- |
2 |
4 |
CMP072 |
ELECTIVE COURSE I |
|
2 |
- |
2 |
4 |
CMP073 |
ELECTIVE COURSE III |
|
2 |
- |
2 |
4 |
CMP501 |
COMPOSITIONAL STUDIES I |
|
2 |
1 |
3 |
10 |
CMP503 |
CONTEMPORARY ORCHESTRATION TECHNIQUES I |
|
2 |
1 |
3 |
8 |
|
Second Term (Spring) |
T |
P |
C |
ECTS |
CMP074 |
ELECTIVE COURSE IV |
|
2 |
- |
2 |
4 |
CMP075 |
ELECTIVE COURSE V |
|
2 |
- |
2 |
4 |
CMP502 |
CONTEMPORARY ORCHESTRATION TECHNIQUES II |
|
2 |
1 |
3 |
10 |
CMP504 |
CONTEMPORARY ORCHESTRATION YECHNIOUES II |
|
2 |
1 |
3 |
8 |
CMP506 |
SEMINAR |
|
2 |
- |
- |
4 |
|
Third Term (Fall) |
T |
P |
C |
ECTS |
CMP505 |
COMPOSITIONAL STUDIES IN LARGER FORMS I |
|
2 |
1 |
3 |
20 |
CMP515 |
INTRODUCTION TO STUDIES OF THESIS |
|
- |
- |
- |
10 |
|
Fourth Term (Spring) |
T |
P |
C |
ECTS |
CMP508 |
COMPOSITIONAL STUDIES IN LARGER FORMS II |
|
2 |
2 |
4 |
20 |
CMP516 |
THESIS STUDY |
(PRE:CMP515) |
- |
- |
- |
10 |
|
Elective Courses |
T |
P |
C |
ECTS |
CMP507 |
HARMONIC STRUCTURE IN XXTH CENTURY MUSICS |
|
2 |
- |
2 |
4 |
CMP509 |
APPLIED HARMONY ON MODE AND MAKAM I |
|
2 |
- |
2 |
4 |
CMP510 |
APPLIED HARMONY ON MODE AND MAKAM II |
|
2 |
- |
2 |
4 |
CMP511 |
ORCHESTRA/CHOIR CONDUCTING I |
|
2 |
- |
2 |
4 |
CMP512 |
ORCHESTRA/CHOIR CONDUCTING II |
|
2 |
- |
2 |
4 |
CMP513 |
STYLISTIC COMPOSITION STUDIES I |
|
2 |
- |
2 |
4 |
CMP514 |
STYLISTIC COMPOSITION STUDIES II |
|
2 |
- |
2 |
4 |
CMP520 |
POPULAR SONG COMPOSITION |
|
2 |
- |
2 |
4 |
MTR501 |
SHENKERIAN ANALYSIS I |
|
2 |
- |
2 |
4 |
MTR502 |
SHENKERIAN ANALISYS II |
|
2 |
- |
2 |
4 |
MTR503 |
POST TONAL THEORY I |
|
2 |
- |
2 |
4 |
MTR504 |
POST TONAL THEORY II |
|
2 |
- |
2 |
4 |
MSC505 |
CLASSICAL PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
MSC507 |
AHMED ADNAN SAYGUN |
|
2 |
- |
2 |
4 |
MSC508 |
MEDIEVAL-RENAISSANCE AND BAROQUE PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
MSC509 |
ROMANTIC PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
MSC510 |
MEHTER MUSIC |
|
2 |
- |
2 |
4 |
MSC511 |
NOTATION I |
|
2 |
- |
2 |
4 |
MSC512 |
NOTATION II |
|
2 |
- |
2 |
4 |
MSC513 |
COMPARATIVE HISTORY OF MUSIC AND ART I |
|
2 |
- |
2 |
4 |
MSC514 |
COMPARATIVE HISTORY OF MUSIC AND ART II |
|
2 |
- |
2 |
4 |
MSC515 |
MUSIC BIBLIOGRAPHY OF TURKEY |
|
2 |
- |
2 |
4 |
MSC516 |
MUSIC MODERNIZATION IN TURKEY |
|
2 |
- |
2 |
4 |
MSC520 |
COMPOSERS IN XIXTH CENTURY OTTOMAN MUSIC |
|
2 |
- |
2 |
4 |
PRF509 |
SPECIFIC TEACHING METHODS |
|
2 |
- |
2 |
4 |
PRF511 |
LITERATURE OF THE DISCIPLINE I |
|
2 |
- |
2 |
4 |
PRF512 |
LITERATURE OF THE DISCIPLINE II |
|
2 |
- |
2 |
4 |
PRF513 |
ADVANCED TECHNIQUES OF ACTING I |
|
2 |
- |
2 |
4 |
PRF514 |
ADVANCED ACTING TECHNIQUES II |
|
2 |
- |
2 |
4 |
PRF515 |
FOUR-HAND AND DUO PIANO REPERTORY I |
|
2 |
- |
2 |
4 |
PRF516 |
FOUR-HAND AND DUO PIANO REPERTORY II |
|
2 |
- |
2 |
4 |
SOBE511 |
THESIS COMPLETION |
|
- |
- |
- |
60 |
SOBE512 |
SUSTAINABLE ECOLOGY AND SUSTAINABLE DEVELOPMENT |
|
3 |
- |
3 |
10 |
|