| First Term (Fall) |
T |
P |
C |
ECTS |
| SPR001 |
ELECTIVE I |
|
2 |
- |
2 |
4 |
| SPR002 |
ELECTIVE II |
|
2 |
- |
2 |
4 |
| SPR003 |
ELECTIVE III |
|
2 |
- |
2 |
4 |
| SPR501 |
PERSONAL TRANING I |
|
1 |
1 |
2 |
10 |
| SPR519 |
ACCOMPANIMENT I |
|
1 |
1 |
2 |
8 |
| |
| Second Term (Spring) |
T |
P |
C |
ECTS |
| SPR004 |
ELECTIVE IV |
|
2 |
- |
2 |
4 |
| SPR005 |
ELECTIVE V |
|
2 |
- |
2 |
4 |
| SPR502 |
PERSONAL TRAINING II |
|
1 |
1 |
2 |
10 |
| SPR506 |
SEMINAR |
|
2 |
- |
- |
4 |
| SPR520 |
ACCOMPANIMENT II |
|
1 |
1 |
2 |
8 |
| |
| Third Term (Fall) |
T |
P |
C |
ECTS |
| SPR505 |
PERSONAL TRAINING III (CONCERT PRACTISING) |
|
1 |
1 |
2 |
10 |
| SPR507 |
ACCOMPANIMENT III |
|
1 |
1 |
2 |
10 |
| SPR517 |
THESIS I |
|
- |
- |
- |
10 |
| |
| Fourth Term (Spring) |
T |
P |
C |
ECTS |
| SPR508 |
PERSONAL TRAINING III (CONCERT PRACTISING) |
|
1 |
1 |
2 |
10 |
| SPR510 |
ACCOMPANIMENT IV |
|
1 |
1 |
2 |
10 |
| SPR518 |
THESIS II |
(PRE:SPR517) |
- |
- |
- |
10 |
| |
| Elective Courses |
T |
P |
C |
ECTS |
| CMP507 |
HARMONIC STRUCTURE IN XXTH CENTURY MUSICS |
|
2 |
- |
2 |
4 |
| CMP509 |
APPLIED HARMONY ON MODE AND MAKAM I |
|
2 |
- |
2 |
4 |
| CMP510 |
APPLIED HARMONY ON MODE AND MAKAM II |
|
2 |
- |
2 |
4 |
| CMP511 |
ORCHESTRA/CHOIR CONDUCTING I |
|
2 |
- |
2 |
4 |
| CMP512 |
ORCHESTRA/CHOIR CONDUCTING II |
|
2 |
- |
2 |
4 |
| CMP513 |
STYLISTIC COMPOSITION STUDIES I |
|
2 |
- |
2 |
4 |
| CMP514 |
STYLISTIC COMPOSITION STUDIES II |
|
2 |
- |
2 |
4 |
| CMP520 |
POPULAR SONG COMPOSITION |
|
2 |
- |
2 |
4 |
| MTR501 |
SHENKERIAN ANALYSIS I |
|
2 |
- |
2 |
4 |
| MTR502 |
SHENKERIAN ANALISYS II |
|
2 |
- |
2 |
4 |
| MTR503 |
POST TONAL THEORY I |
|
2 |
- |
2 |
4 |
| MTR504 |
POST TONAL THEORY II |
|
2 |
- |
2 |
4 |
| MSC505 |
CLASSICAL PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
| MSC507 |
AHMED ADNAN SAYGUN |
|
2 |
- |
2 |
4 |
| MSC508 |
MEDIEVAL-RENAISSANCE AND BAROQUE PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
| MSC509 |
ROMANTIC PERIOD IN EUROPEAN MUSIC |
|
2 |
- |
2 |
4 |
| MSC510 |
MEHTER MUSIC |
|
2 |
- |
2 |
4 |
| MSC511 |
NOTATION I |
|
2 |
- |
2 |
4 |
| MSC512 |
NOTATION II |
|
2 |
- |
2 |
4 |
| MSC513 |
COMPARATIVE HISTORY OF MUSIC AND ART I |
|
2 |
- |
2 |
4 |
| MSC514 |
COMPARATIVE HISTORY OF MUSIC AND ART II |
|
2 |
- |
2 |
4 |
| MSC515 |
MUSIC BIBLIOGRAPHY OF TURKEY |
|
2 |
- |
2 |
4 |
| MSC516 |
MUSIC MODERNIZATION IN TURKEY |
|
2 |
- |
2 |
4 |
| MSC520 |
COMPOSERS IN XIXTH CENTURY OTTOMAN MUSIC |
|
2 |
- |
2 |
4 |
| SOBE511 |
THESIS COMPLETION |
|
- |
- |
- |
60 |
| SOBE512 |
SUSTAINABLE ECOLOGY AND SUSTAINABLE DEVELOPMENT |
|
3 |
- |
3 |
10 |
| SPR509 |
SPECIFIC TEACHING METHODS |
|
2 |
- |
2 |
4 |
| SPR511 |
LITERATURE OF THE DISCIPLINE I |
|
2 |
- |
2 |
4 |
| SPR512 |
LITERATURE OF THE DISCIPLINE II |
|
2 |
- |
2 |
4 |
| SPR513 |
ADVANCED TECHNIQUES OF ACTING I |
|
2 |
- |
2 |
4 |
| SPR514 |
ADVANCED ACTING TECHNIQUES II |
|
2 |
- |
2 |
4 |
| SPR515 |
FOUR-HAND AND DUO PIANO REPERTORY I |
|
2 |
- |
2 |
4 |
| SPR516 |
FOUR-HAND AND DUO PIANO REPERTORY II |
|
2 |
- |
2 |
4 |
| |
