Space does not mean a concept that can only be perceived by the senses and mentally understood. The truth of the space, how it?s created, its transformation and the phenomenological-hermeneutical analysis of its transformation also the examination of these discussions in the context of the museum are intented. Emerged in Cartesian thought and prevailed until the 19th century, the distinction between "matter and thought" shaped the dualist character of modern thinking which perceives space and matter independently from thought. In the context of the change that the concept of time and space has undergone, the changes of the idea of space and the mental and social production of the reconstructed space concept, the process of "museum and museology"'s space creation, the contribution of space to the reproduction and a general analysis of its transformative effects are made.
COURSE CONTENTS
RECOMENDED OR REQUIRED READING
Adorno, The Culture Industry, (ed.J.M.Bernstein) Routladge, London 1991 Ching, F. D. K.; Architecture: Form-Space and Order, Van Nostran Reinhold, New York, 1996 Arnheim Rudolf, New Essays on the Psychology of Art, California Press, USA 1986 Bozkurt N., Estetik Kuramlar, Ara Yay. İstanbul 1992 Tunalı İ., Estetik, Remzi kitabevi, İstanbul 10 Baskı 2007 Gür, Ş. Ö.; Mekan Örgütlenmesi, Gür Yayıncılık, Trabzon, 1996. Haug W.F. Meta Estetiğinin Kritiği, (Çev. Metin Toprak) Felsefe Logos, 2008, İstanbul Norberg-Schulz, C.; Existence, Space and Architecture, Studio Vista, London,1971 Norberg-Schulz, C.; Genius Loci, Towards a Phenomenology of Architecture,New York, 1980 Lunn E., Marxism and Modernism, University of California Press, London, 1982, Zevi, B., Architecture as Space, Horizon Press, New York, 1957. Zolberg L.Vera, Bir Sanat Sosyolojisi Oluşturmak, Boğaziçi Üniversitesi Yayınları, 1990, İstanbul Rasmussen, S. E.; Yaşanan Mimari, Remzi Kitabevi, İstanbul, 1994.
