At the end of this course, the students; 1) The ability to communicate and express oneself visually and verbally 2) Ability to question and reason about the process of meaning making 3) Ability to solve design problems, think critically and generate original ideas 4) Ability to evaluate studies within the framework of ethical rules 5) Conceptual and creative thinking skills
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
To learn the basic principles and concepts of semiotics. Examining the types of indicators, making applications by emphasizing the importance of myths and stories in graphic design.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction, course briefing, discussion of mutual expectations and giving information about practices.
2nd Week
What is semiotics? Giving information about organization of meaning and form of content, analysis in semiotic reading.Argument.
3rd Week
Interpretation. Connotation and main meaning
4th Week
Basic concepts of semiotics; sign, showing, showing
5th Week
Myths, Metanomy
6th Week
Codes and Metaphor
7th Week
Midterm Exam (Research Report)
8th Week
Roland Barthes and Semiotics
9th Week
Gestalt's Definition of Perception.
10th Week
How do we perceive? Perception processes, selectivity in perception
11th Week
The difference between looking and seeing
12th Week
Visual analysis and presentations
13th Week
Visual analysis and presentations
14th Week
Visual analysis and presentations
RECOMENDED OR REQUIRED READING
Berger, J. (2006). Görme Biçimleri. İstanbul: Metis Yayınları.
Burnett, R. (2007). İmgeler Nasıl Düşünür? İstanbul: Metis Yayınları.
Ertan, G. ve Sansarcı, E. (2016). Görsel Sanatlarda Anlam ve Algı. İstanbul: Alternatif Yayıncılık.
Koffka, K. (1935). Principles of Gestalt psychology. New York: Harcourt, Brace.