At the end of this course, the students; 1) compose at least one stylistically free project for a small chamber ensemble, and one stylistically strict project under the instruction of the instructor. These pieces should be at least 3-5 minutes in length, and the free project should be performed on the concert at the end of the semester. The student should find the instrumentalists for his/her piece for this concert.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
None
COURSE DEFINITION
For the large-scale ensemble, at least fifteen minutes of music is composed with a personal language and creativity. The student prepares a file of at least fifteen minutes of music. In the final exam, he defends his music in terms of intellectual and composition in front of a jury.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Contemporary styles analysis
2nd Week
Contemporary styles analysis
3rd Week
Contemporary styles analysis
4th Week
Contemporary styles analysis
5th Week
Score and parts preparation
6th Week
Project start
7th Week
Project sketches and repertoire analysis
8th Week
Project sketches and repertoire analysis
9th Week
Project sketches and repertoire analysis
10th Week
Project sketch and repertoire analysis
11th Week
Project sketch and repertoire preparations
12th Week
Preparing material for execution
13th Week
Project file final checks
14th Week
Presentation and analysis of music in front of the jury
RECOMENDED OR REQUIRED READING
Modern Music and After, Griffiths, Paul, 2011/3rd, Oxford University Press Genesis of a music; an account of a creative work, its roots and its fulfillments, Partch, Harry, 1974, Da Capo Press Music notation : a manual of modern practice, Read, Gardner, 1979, Taplinger Pub. Co. Recommended - Reading: 20th-century microtonal notation, Read, Gardner, 1990, Greenwood Press Music notation in the twentieth century : a practical guidebook, Stone, Kurt, 1980, W. W. Norton & Company, Inc. The contemporary violin : extended performance techniques, Strange, Patricia, 2001, University of California Press Turk Musikisinin Mes'eleleri, Tura, Yalcin, 1988, Pan
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Practice
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Assignment
1
10
Project
3
30
Other
1
10
Total(%)
50
Contribution of In-term Studies to Overall Grade(%)
50
Contribution of Final Examination to Overall Grade(%)
50
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
2
2
4
Preparation for Quiz
Individual or group work
14
4
56
Preparation for Final exam
1
15
15
Course hours
14
2
28
Preparation for Midterm exam
1
10
10
Laboratory (including preparation)
Final exam
1
2
2
Homework
10
1
10
Meeting with advisor
1
1
1
Total Workload
126
Total Workload / 30
4,2
ECTS Credits of the Course
4
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)