At the end of this course, the students; 1) Use the settings and vehicles about film-shooting competently
2) Put into practise the scripted project creatively, develop suitable methods and techniques
3) Complete their projects by considering the communication characteristics, needs and differences of the people and institutions they work with
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
As an ongoing course of Graduate Project I, this course aims to enrich students portfolios and their knowledge about filmmaking with practicing.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction
2nd Week
Revisiting the ideas
3rd Week
Revisiting the ideas
4th Week
Revisiting the ideas-Discussions on completed shots
5th Week
Revisiting the ideas-Discussions on completed shots
6th Week
Revisiting the ideas-Discussions on completed shots
7th Week
Revisiting the ideas-Discussions on completed shots
8th Week
MIDTERM-Submiting the raw materials and rough editing
9th Week
Discussions on editing of the films
10th Week
Discussions on editing of the films
11th Week
On Rough Editing
12th Week
On Sound Design
13th Week
Renk ve Jenerik Tasarımı Üzerine
14th Week
On Final Editing
RECOMENDED OR REQUIRED READING
Bishop, Nancy (2009) Secrets From the Casting Couch: On Camera Strategies for Actors from a Casting Director. London: Black Puplishing
Brown, Blain. Motion Picture and Video Lighting. Oxford: Focal Press
Grant, Tony. Audio for Single Camera Operation. Oxford: Focal Press
Irving, David & Rea, Peter (2004) Sinema ve Videoda Kısa Film: Yapım Öncesi İstanbul: Es yayınları
Irving, David & Rea, Peter (2004) Sinema ve Videoda Kısa Film: Yapım Sonrası İstanbul: Es yayınları
Katz, Steven (1991) Film Directing Shot by Shot: Visualizing From Concept to Screen
Oxford: Media Manual Focal Press
Marie, Kathryn (2010) Film Music: A Very Short Introduction, Oxford University Press.
Munroe, Roberta (2009) How Not to Make a Short Film: Secrets from a
Sundance Programmer, Hyperion.
Millerson, Gerald (2006) Video Camera Techniques. Oxford: Media ManualFocal
Press.
Parker, Nathan (2011) Kısa Filmler: Nasıl Yapılır, Nasıl Dağıtılır İstanbul:
Kalkedon Yayınları
Thurlow, Clifford (2008) Making Short Films: The Complete Guide from Script to
Screen, Berg Publishers.
Ward, Peter (2005) Picture Composition for Film and Television. Oxford: Media
Manual Focal Press.
Weston, Judith (1996) Directing Actors: Creating Memorable Performances for
Film and TV. Michigan: Mc Naughton & Gunn.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture, Discussion, Case Study, Practice, Project, Presentation
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Assignment
3
10
Project
1
40
Attendance
1
10
Total(%)
60
Contribution of In-term Studies to Overall Grade(%)
60
Contribution of Final Examination to Overall Grade(%)
40
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
0
0
0
Preparation for Quiz
Individual or group work
Preparation for Final exam
Course hours
14
4
56
Preparation for Midterm exam
Laboratory (including preparation)
Final exam
Homework
3
10
30
Project
1
60
60
Field Research
1
10
10
Meeting with advisor
3
2
6
Total Workload
162
Total Workload / 30
5,4
ECTS Credits of the Course
5
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)