At the end of this course, the students; 1) Will get to know the history and theories of acting. 2) Have the ability to analyze acting theories in cinema.
3) Practice contemporary acting methods. 4) Learn different stages of directing actors and actresses in cinema.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
Acting techniques in front of camera from theoretical and practical aspects, the differences between camera acting and stage acting, the advantages and disadvantages of cinema to acting, acting and techniques to get in to the role/prepare for the role will be covered both in theory and practice.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction, information about course contents
2nd Week
History of acting
3rd Week
Early scientific studies on art of acting in the world
4th Week
History of acting in Turkey
5th Week
Theoretical basis of art of acting
6th Week
First attempts of K.S. Stanislavski
7th Week
Stanislavski System and acting methodology
8th Week
Midterm
9th Week
Physical Actions Method of Stanislavski System
10th Week
Elements of action
11th Week
The adaption of Stanislavski System to American style of acting, "Actors Studio"
12th Week
"Actors Studio" and Lee Strasberg
13th Week
Method Acting Method's adaption to Acting in Cinema
14th Week
Analysis of Acting in terms of System and Method Acting
RECOMENDED OR REQUIRED READING
ARIJON, Daniel. (1993). Film Dilinin Grameri 1. cilt, Ed. Yalçın Demir, (Çev. Yalçın Demir ve başk.). Eskişehir: Anadolu Üniversitesi Yayınları.
ARISTOTELES. (2001). Poetika, Çev. İsmail Tunalı, İstanbul: Remzi Kitabevi.
BARR, Tony. (1986). Acting for the Camera: Revised Edition, Harpercollins: Harper Paperbacks.
BARTON, Robert. (1989). Acting: Onstage and Off, Orlando: Holt, Rinehart and Winston,Inc., The Dryden Pres.
BAZIN, Andre. (1995) Sinema Nedir?, Çev. İbrahim Şener, İstanbul: Sistem Yayıncılık.
BENEDETTI, Robert. (1976). Seeming, Being and Becoming, Drama Book Specialist, New York.
BENEDETTI, Robert. (1981). The Actor at Work, Englewood Cliffs, Prentice Hall, New Jersey.
BLUNT, Jerry. (1966). The Composite Art of Acting, New York: The Macmillan Company.
BOBKER, Lee R. (1974). Elements of Film, Lakewood: Great Buy Books.
BOUCICAULT, Dion ve başk. (1916). The Art of Acting, New York: Dramatic Museum of Columbia Universty.
BROWN, Blain. (2006). Sinematografi - Kuram ve Uygulama, Çev. Selçuk Taylaner, İstanbul: Hil Yayınları.
CARLSON, Marla. (2000). "Acting and Answerability", David Krasner (Ed.), Method Acting Reconsidered, New York: St. Martin's Pres.
CARNICKE, Sharon M. (1998). Stanislavsky in Focus, Amsterdam: Harwood
Academic Publishers.
COLE, Toby (ed.) (1947). Acting: A Handbook of the Stanislavski Method, New York.
DIDEROT, Denis. (1957). The Paradox of Acting, Çev.: W.H.Pollock, New York: Hillend Wang, Inc.
DIDEROT, Denis. (1994). Selected Writings On Art And Literature, İng. Çev. Geoffrey Bremmer, London: Penguin Classics,
DIDEROT, Denis. (1996). Aktörlük Üzerine Aykırı Düşünceler, Çev. Sabri Esat Siyavuşgil, İstanbul: Sosyal Yayınlar, Dünya Klasikleri Kültür Dizisi:2.
DIDEROT, Denis. (1997). Felsefe Konuşmaları, Çev. Adnan Cemgil, İstanbul: Sosyal
Yayınları Dünya Klasikleri Kültür Dizisi.
DMYTRYK, Edward ve Jean PORTER. (1995). Sinemada Oyunculuk, İstanbul: AFA Sinema Yayınları.
DUERR, Edwin. (1962). The Length and Depth of Acting, New York.
DUMESNIL, Marie-Francoise. (1957). "A Reply To Clairon", Actors On Acting, Ed. Toby Cole, Helen K. Chinoy, New York: Clown Publishers.
GORDON, Mel. (1987). The Stanislavsy Technique, New York: Applause.
GORDON, Marc.(2000). "Salvaging Strasberg at the Fin Siecle", Method Acting Reconsidered, Ed. David Krasner, New York: St. Martin's Pres.
HETHMON, H. Robert. (1991). Strasberg at The Actors Studio, New York: Theater Communications Group Inc.
HIRCSH, Foster. (1984). A Method to Their Madness: A History of the Actors Studio, New York : Norton.
KRACAUER, Siegfried. (1997). Theory of Film, The Redemption of Physical Reality, Oxford Unıversıty Pres.
KRASNER, David. (Ed.) (2000). Method Acting Reconsidered: Theory, Practice, Future, New York: St. Martin's Pres.
LOTMAN, Yuriy M. (1999). Sinema Estetiğinin Sorunları, (Çev. Oğuz Özügül). Ankara: Öteki Yayınevi.
MASCELLI, V. Joseph. (2002). Sinemanın 5 Temel Öğesi, Ankara: İmge Kitabevi Yayınları.
MONACO, James. (2005). Bir Film Nasıl Okunur?, (Çev. Ertan Yılmaz). İstanbul: Oğlak Yayıncılık.
MOORE, Sonia. (1984). The Stanislavski System-The Professional Training of an Actor
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Case Study, Lecture, Discussion, Project
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Mid-term
1
40
Project
1
60
Total(%)
100
Contribution of In-term Studies to Overall Grade(%)
100
Contribution of Final Examination to Overall Grade(%)
0
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
1
2
2
Preparation for Quiz
Individual or group work
Preparation for Final exam
Course hours
14
3
42
Preparation for Midterm exam
1
40
40
Laboratory (including preparation)
Final exam
Homework
3
3
9
Presentation (including preperation)
Project
1
60
60
Preperation for Presentations
Total Workload
153
Total Workload / 30
5,1
ECTS Credits of the Course
5
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)