TYPE OF COURSE UNIT	Compulsory Course
LEVEL OF COURSE UNIT	Bachelor's Degree
YEAR OF STUDY	2
SEMESTER	Third Term (Fall)
NUMBER OF ECTS CREDITS ALLOCATED	4
NAME OF LECTURER(S)	-
LEARNING OUTCOMES OF THE COURSE UNIT	At the end of this course, the students; 1) Learn principles of editing in cinema 2) Gain competence of analysis concerning the importance of editing in cinema 3) Gain critical point of view
MODE OF DELIVERY	Face to face
PRE-REQUISITES OF THE COURSE	No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION	At the end of this course, the students learn editing principles and techniques in cinema. They gain ability to analyze and critical perspective about the importance of editing in cinema.
COURSE CONTENTS	WEEK TOPICS 1st Week Introduction: Informing Students about the Course and the grading 2nd Week On Filmic Time, Who can be an editör?, What is editing and why is it important?, Editing Process: Before and after editing, Respect for what has been recorded 3rd Week Analog X Digital Editing, Editing Practice I 4th Week The History of Editing: David W. Griffith; first steps, Continuity Editing: 180, establishing shot, shot-reverse shot, How to put two shots together?, Editing Practice_II 5th Week Lev Kuleşov (Effect) & Creative Anatomy, 1 + 1: 3, How?, Eiseinstein - Montage Styles, What is parallel editing?, How to put two shots together? Editing Practice_III 6th Week Dziga Vertov - his montage approach, ?The Man With A Movie Camera?, Visual Perception and Editing, Walter Murch 7th Week Aleksey G. Sokolov, Edward Dmytryk 8th Week MIDTERM 9th Week Shooting While Keeping Editing in Mind, Editing Practice IV 10th Week Godard & Editing Style of French New Wave, Editing Practice_V 11th Week Basic Effects in Editing, Editing Practice_VI 12th Week Rhtym in Editing, Editing Practice_VII 13th Week Sound and Music Editing, Editing Practice_VIII 14th Week Feedback form Final, Exports Settings
RECOMENDED OR REQUIRED READING	Bülent Küçükerdoğan, İbrahim Zengin, Turhan Yavuz(2005) Video ve Film Kurgusuna Giriş. İstanbul: Es Yayınları. Bülent Küçükerdoğan, Sinemada Kurgu ve Eisenstein Sergei Eisenstein, Film Biçimi Sergei Eisenstein, Film Duyumu V. I. Pudovkin, Sinemanın Temel İlkeleri Asiltürk, Cengis T. (2014) Sinemada Diyalektik Kurgu(Filmin Dili). İstanbul: Kalkedon. Dmytryk, Edward (2008) Sinemada Yönetmenlik, Oyunculuk, Kurgu. Çev. İbrahim Şener. İstanbul: Doruk. Küçükerdoğan, Bülent (2014) Sinemada Kurgu ve Eisenstein. 2. Baskı. İstanbul: Hayalperest. Murch, Walter (2005) Göz Kırparken. Çev. İlker Canikligil. İstanbul: Bilgi Üniversitesi. Rea, Peter W. ve David Irving (2004) Sinema ve Videoda Kısa Film, Cilt 3: Yapım Sonrası. Çev. Selçuk Taylaner. İstanbul: Es. Sokolov, Aleksey G. (2006) Sinema ve Televizyonda Görüntü Kurgusu. Çev. Semir Arslanyürek. İstanbul: Agora. Toprak, Murat (2012) Filmin Dili: Kurgu. İstanbul: Kalkedon. Yıldız, Selahattin (ed.) (2014) Sinema Dili (Beyazperdeyi Yaratanlar). İstanbul: Su. Dziga Vertov (2007) Sine-Göz. İstanbul: Agora Kitaplığı Gael Chandler, Film Kurgusu
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS	Lecture,Discussion,Questions/Answers, Watching
ASSESSMENT METHODS AND CRITERIA	Quantity Percentage(%) Assignment 1 30 Project 1 50 Attendance 1 20 Total(%) 100 Contribution of In-term Studies to Overall Grade(%) 100 Contribution of Final Examination to Overall Grade(%) 0 Total(%) 100
ECTS WORKLOAD	Activities Number Hours Workload Midterm exam 1 2 2 Preparation for Quiz Individual or group work 4 5 20 Preparation for Final exam Course hours 14 4 56 Preparation for Midterm exam 1 12 12 Laboratory (including preparation) Final exam Homework 1 30 30 Total Workload 120 Total Workload / 30 4 ECTS Credits of the Course 4
LANGUAGE OF INSTRUCTION	Turkish
WORK PLACEMENT(S)	No