TYPE OF COURSE UNIT	Compulsory Course
LEVEL OF COURSE UNIT	Bachelor's Degree
YEAR OF STUDY	2
SEMESTER	Third Term (Fall)
NUMBER OF ECTS CREDITS ALLOCATED	5
NAME OF LECTURER(S)	-
LEARNING OUTCOMES OF THE COURSE UNIT	At the end of this course, the students; 1) Learn what is script in cinema. 2) Understand the function and importance of script in a production. 3) Know the processes of a script and by learning script writing rules, put these learnings into practice.
MODE OF DELIVERY	Face to face
PRE-REQUISITES OF THE COURSE	No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION	The basic concepts, the fundamental principles and stages of scriptwriting will be covered in this course. The idea of film, synopsis, writing and analyzing treatment, examining similar works in the context of scenario, basic features of a good script, parts of script (introduction, development, resolution), and scriptwriting formats are being discussed.
COURSE CONTENTS	WEEK TOPICS 1st Week Introduction to Script 2nd Week Key Elements of a Script 3rd Week The Structure of Narrative and Story 4th Week Traditional Dramatical Structure / Conflict - Complication - Resolution 5th Week Basic Concept of Story and Basic Applications of Story Design 6th Week Applications of Finding Different Story Structures, Basic Stories and Conflicts Starting the Story 7th Week Main Components of a Script and Points to Consider While Script Writing 8th Week Midterm 9th Week Formal and Contextual Working Stages of a Script, Writing Cinematographic Subject/ Synopsis and Treatment 10th Week Continuity / Sequence and Stage Study 11th Week Shooting Script 12th Week Story Board 13th Week Working on Sample Shoting Scripts Prepared for Cinema 14th Week Demonstrating the Process of Visualisation by Comparative Viewing of a Film with its Script
RECOMENDED OR REQUIRED READING	SENARYO VE YAPIM Mahmut Tali Öngören, Alan Yayıncılık, İstanbul, 1985. SENARYO YAZARI OLMAK Feridun Akyürek, MediaCat Kitapları, İstanbul, 2004. THE NONBROADCAST TELEVISION WRITER?S HANDBOOK William Van Nonstran, Knowlwdge Industry Publications, Inc. NY, 1983. ELEMENTS OF STYLE FOR SCREENWRITERS, The Essential Manual for Writers of Screenplays, Paul Argentini, IFilm Publishing, Lone Eagle Publising. Co., USA, New York, 1998. THE SCREEN-WRITER?S WORKBOOK Syd FIELD, Bantam Doubleday Dell Publishing Group, Inc., USA, New York, 1984. WRITERS AT THE MOVIES, TWENTY-SIX CONTEMPORARY AUTHORS CELEBRATE, TWENTY- SIX MEMORABLE MOVIES, Edited by Jım Shepard, Perennial An Imprint of Harper Collins Publihers, New York, 2000. SCREENWRITING Ray Frensham, Printed in Great Britain for Hodder&Stoughton Educational, a division of Hodder Headline Ltd., London, 2003. OYUN VE SENARYO YAZMA TEKNİĞİ Turgut Özakman, Bilgi Yayınevi, İstanbul, 1998. SENARYO KURAMI Semir Aslanyürek, Pan Yayıncılık, İstanbul, 1998. BİR SENARYO YAZMAK Michael Chion, Çeviren. Nedret Tanyolaç, Afa Sinema Yayınları, İstanbul, 1997. SENARYO YAZIMI DERS NOTLARI H. Hale KÜNÜÇEN, Gazi Üniversitesi ve Başkent Üniversitesi İletişim Fakültesi (1994 ? 2013).
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS	Lecture,Practice
ASSESSMENT METHODS AND CRITERIA	Quantity Percentage(%) Mid-term 1 30 Assignment 1 10 Total(%) 40 Contribution of In-term Studies to Overall Grade(%) 40 Contribution of Final Examination to Overall Grade(%) 60 Total(%) 100
ECTS WORKLOAD	Activities Number Hours Workload Midterm exam 1 2 2 Preparation for Quiz Individual or group work Preparation for Final exam 1 50 50 Course hours 14 3 42 Preparation for Midterm exam 1 40 40 Laboratory (including preparation) Final exam 1 2 2 Homework 1 20 20 Total Workload 156 Total Workload / 30 5,2 ECTS Credits of the Course 5
LANGUAGE OF INSTRUCTION	Turkish
WORK PLACEMENT(S)	No