At the end of this course, the students; 1) Gain ability to correlate, interprete past, present and future in design field
2) Gain ability to think critical
3) Gain ability to speak at a level making critics and comparison about art theories and making analysis
4) Gain ability to constitute relation between historical, communal and economic conditions and art and design processes
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
In order to evaluate the interactive relation between art and society, the basic concepts of sociology of art and the different dimensions of aesthetical experience are addressed.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction of Sociology of Art
2nd Week
Basic concepts
3rd Week
Basic issues of Sociology of Art
4th Week
Basic issues of Sociology of Art
5th Week
Basic issues of Sociology of Art
6th Week
Society and Culture
7th Week
Midterm
8th Week
Relation of Art and society
9th Week
Principal of Art and Society
10th Week
Theories
11th Week
Theories
12th Week
Theories
13th Week
Theories
14th Week
Theories
RECOMENDED OR REQUIRED READING
Adorno T.W., The Culture Industry, London Routladge 1991
Alexander, Samuel, 1998, Beauty and other forms of value, Ann Arbor.
Burke S., The Death and Return of the Author, Criticism and Subjectivity in Barthes Foucault and Derrida, Edinburg 1998
Bürger P., ,Avangarde Kuram, çev Erol Özbek İletişim Yay. İstanbul 2007
Fredrich Jameson, Postmodernism, Duke University Press USA 1995
E,Lunn, Marxism and Modernism an Historical Study of Lukacs Brecht, Benjamin and Adorno, Berkley University of California Press 1982
Read H., Art and Society, London 1970
I. Armstrong, The Radical Aesthetic, Blackwell UK 2000
Schaeffer Jean Marie, Art of the Modern Age, New French Thought Princeton University Pres, 2000
Whitford F., Bauhaus, London 2000