WEEK | TOPICS |
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1st Week | The scope of the course. 5. Kind (embroidered) work in four-voice counterpoint in different customs. |
2nd Week | Great mix (Grand Melange) using c.f. on bass in four-voice counterpoint. |
3rd Week | Great mix (Grand Melange) in which bass syncopated periods are used in four-voice counterpoint. |
4th Week | Great mix (Grand Melange) in which the bass dichotomous periods are used in four-voice counterpoint. |
5th Week | Great mix (Grand Melange) in which four-voice counterpoints are used with stanzas on bass |
6th Week | A 6/4 measure melanges practice in four-voice counterpoint. |
7th Week | A 3/2 measure melanges practice in four-voice counterpoint. |
8th Week | Midterm. |
9th Week | Embroidered work with two soprano parts in five-voice counterpoint. |
10th Week | Embroidered work with two tenor parts in five-voice counterpoint. |
11th Week | Embroidered work with two soprano and two alto parts in six-voice counterpoint. |
12th Week | Embroidered work with two soprano and two bass parts in six-voice counterpoint. |
13th Week | Analysis of seven and eight-voice embroidered counterpoint samples. |
14th Week | Examination of embroidered samples in double choir. |