At the end of this course, the students; 1) Explores materials and potentials in conceptual thinking and practice. 2) Gains the ability to think about creative thinking and possibilities. 3) Thinks about basic geometry and other things in morphology with structural and material possibilities. 4) Learns different methods of model making (model making, modeling in computer programs, one-to-one mock-up system).
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
This course deals with studio work at the intersection of material and space plastic, with real production techniques.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction, General Narration and Topic Explanation
2nd Week
Discussion of Modeling and Interior Practices, Introduction to the Subject
3rd Week
Creating two-dimensional composition and archetypes/Transferring the potentials of different materials
4th Week
Creating Reliefs / Discussing Studies
5th Week
Three Dimensional Studies
6th Week
Three Dimensional Studies
7th Week
Formal Quest Studies
8th Week
Evaluation of Studies, Short-term problem definition with different materials
9th Week
Midterm
10th Week
Original Work Production with Molding Techniques
11th Week
Original Work Production with Molding Techniques
12th Week
Discussion/Critics of the Process
13th Week
Discussion/Critics of the Process
14th Week
Discussion/Critics of the Process
RECOMENDED OR REQUIRED READING
Barcsay, J., & Somogyi, B. (2006). Anatomy for the artist. London: Little, Brown.
Varia, R. (2003). Brancusi. New York: Rizzoli.
Gutfreund, O., & Moravska? galerie v Brne?. (1980). Otto Gutfreund. Brno: Moravska? galerie v Brne?.
Calder, A., & Fondation Beyeler. (2013). Alexander Calder: Ba?ume : Abstraktion benennen = Alexander Calder : trees : naming abstraction. Ostfildern, Germany: Hatje Cantz.
