At the end of this course, the students; 1) will be able to consider how popular texts are consumed by ordinary readers, 2) will be able to understand the relationship between popular texts and the institutions that produce and market them.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
None
COURSE DEFINITION
This course is a historical survey of American popular literature from the colonial period to the present. The texts studied during the course will be analyzed in the light of cultural and literary contexts in which they were written and will be accompanied by critical and theoretical readings. Particular attention will be paid to genres such as captivity narratives, dime novels, westerns and hard-boiled fiction.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction to the Course
2nd Week
The Colonial Period: Indian Captivity Narratives
3rd Week
The Colonial Period: Indian Captivity Narratives
4th Week
Sentimental Literature of the 19th Century: Stowe, Uncle Tom's Cabin.
5th Week
Stowe, Uncle Tom's Cabin.
6th Week
The Dime Novel: Horatio Alger, Ragged Dick.
7th Week
The Dime Novel: Horatio Alger, Ragged Dick.
8th Week
Revision and Mid-term Examination
9th Week
The Western Novel
10th Week
The Western Novel
11th Week
Hard-Boiled Fiction: Raymond Chandler, Farewell, My Lovely.
12th Week
Raymond Chandler, Farewell, My Lovely
13th Week
Dashiel Hammett, The Maltese Falcon.
14th Week
Dashiel Hammett, The Maltese Falcon.
RECOMENDED OR REQUIRED READING
Bloom, Clive. Cult Fiction: Popular Reading and Pulp Theory. London: Macmillan, 1996.
Buhle, Paul. Popular Culture in America. Minneapolis: U of Minnesota P, 1987.
Haut, Woody. Pulp Culture: Hard Boiled Fiction and the Cold War. New York: Serpent's Tail, 1995.
Hicken, Mandy. Now Read On: A Guide to Contemporary Popular Fiction. Aldershot: Gower, 1990.
Long, Elizabeth. The American Dream and the Popular Novel. Boston: Routledge, 1985.
McCraken, Scott. Pulp: Reading Popular Fiction. New York: Manchester UP, 1998.
McQuade, Donald, and Robert Atwan. Popular Writing in America: the Interaction of Style and Audience. New York: Oxford UP, 1993.
Rzepka, Charles J. Detective Fiction. Cambridge: Polity, 2005.
Smith, Erin A. Hard-Boiled: Working Class Readers and Pulp Magazines. Philadelphia: Temple UP, 2000.
Springer, John Paris. Hollywood Fictions: The Dream Factory in American Popular Literature. Norman: U of Oklahama P, 2000.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Discussion,Project,Presentation
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Mid-term
1
30
Project
1
25
Presentation of Article
1
15
Total(%)
70
Contribution of In-term Studies to Overall Grade(%)
70
Contribution of Final Examination to Overall Grade(%)
30
Total(%)
100
LANGUAGE OF INSTRUCTION
English
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)