At the end of this course, the students; 1) know the general characteristics of video activism. 2) know the production process with structural and technical aspects. 3) carry a critical approach to video activism in the framework of theoretical knowledge.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
None
COURSE DEFINITION
Video activism is to to carry the unseen images and unheard voices of unknown stories to the public domain that can?t find place in the main stream media, with the possibility of todays digital audio and video technology. In this course, video activism will be covered thourgh the concepts like; video as a political tool, reality and the recorded reality, presentation and re-presentation, surveillance cultur, power of the image and its evidentiality. Video activism will be analyzed through samples of participatory video works, guerrilla televisions, new media applications etc. to better understand its structure and funtioning.
COURSE CONTENTS
WEEK
TOPICS
1st Week
What is video activism?
2nd Week
Historical development
3rd Week
Narrative technics; video activim and documentary, journalism, activism, art
4th Week
Video activist production; basic shooting technics
5th Week
Video activist production; sound
6th Week
Video activist production; editing
7th Week
Video activist production; distribution, alternative media, videosharing, digital broadcasting,videoarchives,guerrilla tv
8th Week
Mid-Term
9th Week
Video activist production; ethical and legal issues
10th Week
Video as an political tool; power of the image and its evidentiality
11th Week
Video as an political tool; reality, recording the reality, presentation and re-presentation
12th Week
Video as an political tool; surveillance culture, digital surveillance, protection of personal data
13th Week
Samples from the World.
14th Week
Samples from Turkey.
RECOMENDED OR REQUIRED READING
Giovanni Sartori. Görmenin İktidarı: Homo Videns Gören İnsan. Umut Tümay Aslan. Görsel Olanı Okumak: Eleştirel Görsel Okur-Yazarlık. Anthony Giddens. Modernliğin Sonuçları. Korkmaz Alemdar. Öteki Kuram, İrfan Erdoğan. Louis Althusser. İdeoloji ve Devletin İdeolojik Aygıtları. Türk Film Araştırmalarında Yeni Yönelimler-8, Sinema ve Politika Michael Ryan, Douglas Kellner. Politik Kamera. Jodi Nelson. Social Media as a Filmmaking Narrative Tool. Thomas Harding. The Video Activist Handbook. Sam Gregory. Değiştirmek İçin Video. Megan Boler. Digital Media and Democracy. Paolo Gerbaudo. Tweetler ve Sokaklar, Sosyal Medya ve Günümüzün Eylemciliği. Dean Wilson, Tanya Serisier. Video Activism and the Ambiguities of Counter-Surveillance. Kjerstin Thorson. Youtube and Proposition.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Practice
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Mid-term
1
40
Total(%)
40
Contribution of In-term Studies to Overall Grade(%)
40
Contribution of Final Examination to Overall Grade(%)
60
Total(%)
100
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)