At the end of this course, the students; 1) A series of compositions consisting of several medium-sized parts with vocal accompaniment is composed. 2) Has knowledge of choral music.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
Teaching theoretical and practical approaches to composing.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Human voice, choir
2nd Week
Human voice, choir continued
3rd Week
Human voice, solo
4th Week
Human voice, solo continued
5th Week
Working on texture
6th Week
Working on texture continued
7th Week
Analysing current styles
8th Week
Analysing current styles
9th Week
Composition Project beginning
10th Week
Project draft check, analysing repertoire
11th Week
Project draft check, analysing repertoire
12th Week
Project draft check, analysing repertoire
13th Week
Finalizing Project file
14th Week
Presentation and analysation of the project before a jury
RECOMENDED OR REQUIRED READING
The contemporary violin : extended performance techniques, Strange, Patricia, 2001, University of California Press New directions for clarinet, Rehfeldt, Phillip, 1994, The Scarecrow Press, Inc. Extended Techniques for the Horn : A Practical Handbook for Students, Performers and Composers, Hill, Douglas, 2010, Warner Bros. Publications Music notation in the twentieth century : a practical guidebook, Stone, Kurt, 1980, W. W. Norton & Company, Inc. Music notation : a manual of modern practice, Read, Gardner, 1979, Taplinger Pub. Co. 20th-century microtonal notation, Read, Gardner, 1990, Greenwood Press Second String Quartet in F-Sharp Minor, Op. 10 : Authoritative Score, Background and Analysis, Comme, Neff, Severine; Schoenberg, Arnold; Chorley, Grant, 2005, W. W. Norton & Company, Inc. Lyrische Suite : für Streichquartett, Berg, Alban, 1955, Universal Edition Style and idea in the Lyric suite of Alban Berg, Perle, George, 2001, Pendragon Press Aventures : for three Singers and Seven Instrumentalists : Study Score, Ligeti, György, 1992, Edition Peters Nouvelles Aventures : for three Singers and Seven Instrumentalists : Study Score, Ligeti, György, 1994, Edition Peters Fourth String Quartet, Ferneyhough, Brian, 1990, Edition Peters Trio for piano, violin and horn (or cello or viola) : E Flat Major, Brahms, Johannes, Edition Peters Trio for Violin, Horn and Piano, Ligeti, György, 2001, Schott Vox balaenae : for three masked players : electric flute, electric cello, electric piano, Crumb, George, 1972, Edition Peters Eleven echoes of autumn, 1965 (Echoes 1) [for] violin, alto flute, clarinet, and piano, Crumb, George, 1972, Edition Peters Allegro sostenuto : for clarinet/bass clarinet, violoncello and piano, Lachenmann, Helmut, 2003, Breitkopf & Hartel Schattenblatter : fur Bassklarinette, Violoncello und Klavier, Huber, Klaus, 1975, Ricordi Modern Music and After, Griffiths, Paul, 2011/3rd, Oxford University Press A History of Western Music, Burkholder, Grout, Palisca, WW Norton & co., 2019
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Practice,Other
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Assignment
7
10
Project
3
30
Other
2
10
Total(%)
50
Contribution of In-term Studies to Overall Grade(%)
50
Contribution of Final Examination to Overall Grade(%)
50
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
2
2
4
Preparation for Quiz
Individual or group work
14
4
56
Preparation for Final exam
1
15
15
Course hours
14
2
28
Preparation for Midterm exam
1
10
10
Laboratory (including preparation)
Final exam
1
2
2
Homework
10
1
10
Meeting with advisor
1
1
1
Total Workload
126
Total Workload / 30
4,2
ECTS Credits of the Course
4
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)