TYPE OF COURSE UNIT	Compulsory Course
LEVEL OF COURSE UNIT	Bachelor's Degree
YEAR OF STUDY	3
SEMESTER	Sixth Term (Spring)
NUMBER OF ECTS CREDITS ALLOCATED	5
NAME OF LECTURER(S)	Instructor Orhan Koray Ergün
LEARNING OUTCOMES OF THE COURSE UNIT	At the end of this course, the students; 1) Will get to know the history and theories of acting. 2) Have the ability to analyze acting theories in cinema. 3) Practice contemporary acting methods. 4) Learn different stages of directing actors and actresses in cinema.
MODE OF DELIVERY	Face to face
PRE-REQUISITES OF THE COURSE	No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION	Acting techniques in front of camera from theoretical and practical aspects, the differences between camera acting and stage acting, the advantages and disadvantages of cinema to acting, acting and techniques to get in to the role/prepare for the role will be covered both in theory and practice.
COURSE CONTENTS	WEEK TOPICS 1st Week Introduction, information about course contents 2nd Week History of acting 3rd Week Early scientific studies on art of acting in the world 4th Week History of acting in Turkey 5th Week Theoretical basis of art of acting 6th Week First attempts of K.S. Stanislavski 7th Week Stanislavski System and acting methodology 8th Week Midterm 9th Week Physical Actions Method of Stanislavski System 10th Week Elements of action 11th Week The adaption of Stanislavski System to American style of acting, "Actors Studio" 12th Week "Actors Studio" and Lee Strasberg 13th Week Method Acting Method's adaption to Acting in Cinema 14th Week Analysis of Acting in terms of System and Method Acting
RECOMENDED OR REQUIRED READING	ARIJON, Daniel. (1993). Film Dilinin Grameri 1. cilt, Ed. Yalçın Demir, (Çev. Yalçın Demir ve başk.). Eskişehir: Anadolu Üniversitesi Yayınları. ARISTOTELES. (2001). Poetika, Çev. İsmail Tunalı, İstanbul: Remzi Kitabevi. BARR, Tony. (1986). Acting for the Camera: Revised Edition, Harpercollins: Harper Paperbacks. BARTON, Robert. (1989). Acting: Onstage and Off, Orlando: Holt, Rinehart and Winston,Inc., The Dryden Pres. BAZIN, Andre. (1995) Sinema Nedir?, Çev. İbrahim Şener, İstanbul: Sistem Yayıncılık. BENEDETTI, Robert. (1976). Seeming, Being and Becoming, Drama Book Specialist, New York. BENEDETTI, Robert. (1981). The Actor at Work, Englewood Cliffs, Prentice Hall, New Jersey. BLUNT, Jerry. (1966). The Composite Art of Acting, New York: The Macmillan Company. BOBKER, Lee R. (1974). Elements of Film, Lakewood: Great Buy Books. BOUCICAULT, Dion ve başk. (1916). The Art of Acting, New York: Dramatic Museum of Columbia Universty. BROWN, Blain. (2006). Sinematografi - Kuram ve Uygulama, Çev. Selçuk Taylaner, İstanbul: Hil Yayınları. CARLSON, Marla. (2000). "Acting and Answerability", David Krasner (Ed.), Method Acting Reconsidered, New York: St. Martin's Pres. CARNICKE, Sharon M. (1998). Stanislavsky in Focus, Amsterdam: Harwood Academic Publishers. COLE, Toby (ed.) (1947). Acting: A Handbook of the Stanislavski Method, New York. DIDEROT, Denis. (1957). The Paradox of Acting, Çev.: W.H.Pollock, New York: Hillend Wang, Inc. DIDEROT, Denis. (1994). Selected Writings On Art And Literature, İng. Çev. Geoffrey Bremmer, London: Penguin Classics, DIDEROT, Denis. (1996). Aktörlük Üzerine Aykırı Düşünceler, Çev. Sabri Esat Siyavuşgil, İstanbul: Sosyal Yayınlar, Dünya Klasikleri Kültür Dizisi:2. DIDEROT, Denis. (1997). Felsefe Konuşmaları, Çev. Adnan Cemgil, İstanbul: Sosyal Yayınları Dünya Klasikleri Kültür Dizisi. DMYTRYK, Edward ve Jean PORTER. (1995). Sinemada Oyunculuk, İstanbul: AFA Sinema Yayınları. DUERR, Edwin. (1962). The Length and Depth of Acting, New York. DUMESNIL, Marie-Francoise. (1957). "A Reply To Clairon", Actors On Acting, Ed. Toby Cole, Helen K. Chinoy, New York: Clown Publishers. GORDON, Mel. (1987). The Stanislavsy Technique, New York: Applause. GORDON, Marc.(2000). "Salvaging Strasberg at the Fin Siecle", Method Acting Reconsidered, Ed. David Krasner, New York: St. Martin's Pres. HETHMON, H. Robert. (1991). Strasberg at The Actors Studio, New York: Theater Communications Group Inc. HIRCSH, Foster. (1984). A Method to Their Madness: A History of the Actors Studio, New York : Norton. KRACAUER, Siegfried. (1997). Theory of Film, The Redemption of Physical Reality, Oxford Unıversıty Pres. KRASNER, David. (Ed.) (2000). Method Acting Reconsidered: Theory, Practice, Future, New York: St. Martin's Pres. LOTMAN, Yuriy M. (1999). Sinema Estetiğinin Sorunları, (Çev. Oğuz Özügül). Ankara: Öteki Yayınevi. MASCELLI, V. Joseph. (2002). Sinemanın 5 Temel Öğesi, Ankara: İmge Kitabevi Yayınları. MONACO, James. (2005). Bir Film Nasıl Okunur?, (Çev. Ertan Yılmaz). İstanbul: Oğlak Yayıncılık. MOORE, Sonia. (1984). The Stanislavski System-The Professional Training of an Actor
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS	Case Study, Lecture, Discussion, Project
ASSESSMENT METHODS AND CRITERIA	Quantity Percentage(%) Mid-term 1 40 Project 1 60 Total(%) 100 Contribution of In-term Studies to Overall Grade(%) 100 Contribution of Final Examination to Overall Grade(%) 0 Total(%) 100
ECTS WORKLOAD	Activities Number Hours Workload Midterm exam 1 2 2 Preparation for Quiz Individual or group work Preparation for Final exam Course hours 14 3 42 Preparation for Midterm exam 1 40 40 Laboratory (including preparation) Final exam Homework 3 3 9 Presentation (including preperation) Project 1 60 60 Preperation for Presentations Total Workload 153 Total Workload / 30 5,1 ECTS Credits of the Course 5
LANGUAGE OF INSTRUCTION	Turkish
WORK PLACEMENT(S)	No