At the end of this course, the students; 1) Learn principles of editing in cinema
2) Gain competence of analysis concerning the importance of editing in cinema
3) Gain critical point of view
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
At the end of this course, the students learn editing principles and techniques in cinema. They gain ability to analyze and critical perspective about the importance of editing in cinema.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction: Informing Students about the Course and the grading
2nd Week
On Filmic Time, Who can be an editör?, What is editing and why is it important?, Editing Process: Before and after editing, Respect for what has been recorded
3rd Week
Analog X Digital Editing, Editing Practice I
4th Week
The History of Editing: David W. Griffith; first steps, Continuity Editing: 180, establishing shot, shot-reverse shot, How to put two shots together?, Editing Practice_II
5th Week
Lev Kuleşov (Effect) & Creative Anatomy, 1 + 1: 3, How?, Eiseinstein - Montage Styles, What is parallel editing?, How to put two shots together? Editing Practice_III
6th Week
Dziga Vertov - his montage approach, ?The Man With A Movie Camera?, Visual Perception and Editing, Walter Murch
7th Week
Aleksey G. Sokolov, Edward Dmytryk
8th Week
MIDTERM
9th Week
Shooting While Keeping Editing in Mind, Editing Practice IV
10th Week
Godard & Editing Style of French New Wave, Editing Practice_V
11th Week
Basic Effects in Editing, Editing Practice_VI
12th Week
Rhtym in Editing, Editing Practice_VII
13th Week
Sound and Music Editing, Editing Practice_VIII
14th Week
Feedback form Final, Exports Settings
RECOMENDED OR REQUIRED READING
Bülent Küçükerdoğan, İbrahim Zengin, Turhan Yavuz(2005) Video ve Film Kurgusuna Giriş. İstanbul: Es Yayınları. Bülent Küçükerdoğan, Sinemada Kurgu ve Eisenstein Sergei Eisenstein, Film Biçimi Sergei Eisenstein, Film Duyumu V. I. Pudovkin, Sinemanın Temel İlkeleri Asiltürk, Cengis T. (2014) Sinemada Diyalektik Kurgu(Filmin Dili). İstanbul: Kalkedon. Dmytryk, Edward (2008) Sinemada Yönetmenlik, Oyunculuk, Kurgu. Çev. İbrahim Şener. İstanbul: Doruk. Küçükerdoğan, Bülent (2014) Sinemada Kurgu ve Eisenstein. 2. Baskı. İstanbul: Hayalperest. Murch, Walter (2005) Göz Kırparken. Çev. İlker Canikligil. İstanbul: Bilgi Üniversitesi. Rea, Peter W. ve David Irving (2004) Sinema ve Videoda Kısa Film, Cilt 3: Yapım Sonrası. Çev. Selçuk Taylaner. İstanbul: Es. Sokolov, Aleksey G. (2006) Sinema ve Televizyonda Görüntü Kurgusu. Çev. Semir Arslanyürek. İstanbul: Agora. Toprak, Murat (2012) Filmin Dili: Kurgu. İstanbul: Kalkedon. Yıldız, Selahattin (ed.) (2014) Sinema Dili (Beyazperdeyi Yaratanlar). İstanbul: Su. Dziga Vertov (2007) Sine-Göz. İstanbul: Agora Kitaplığı Gael Chandler, Film Kurgusu
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Discussion,Questions/Answers, Watching
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Assignment
1
30
Project
1
50
Attendance
1
20
Total(%)
100
Contribution of In-term Studies to Overall Grade(%)
100
Contribution of Final Examination to Overall Grade(%)
0
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
1
2
2
Preparation for Quiz
Individual or group work
4
5
20
Preparation for Final exam
Course hours
14
4
56
Preparation for Midterm exam
1
12
12
Laboratory (including preparation)
Final exam
Homework
1
30
30
Total Workload
120
Total Workload / 30
4
ECTS Credits of the Course
4
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)