At the end of this course, the students; 1) Have the knowledge of theories, methods and techniques of scriptwriting
2) Practise scriptwriting for movies
3) Have competence of evaluation for output works with other examples from different genres
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
The writing of script, which is a technical text will be practiced throughout the course.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Reminding of the contextual and formal writing stages of a script through sample scripts, exercices on sample scripts.
2nd Week
Reminding of the contextual and formal writing stages of a script through sample scripts, exercices on sample scripts.
3rd Week
Finalization of synopsis writing by identfying the theme and subject.
4th Week
Treatment writing
5th Week
Treatment writing
6th Week
Continuity / Sequence Study / Finalization of cinematographic story.
7th Week
Elimination of project deficincies
8th Week
Mid-term
9th Week
Writing shooting script
10th Week
Writing shooting script
11th Week
Completing the stage of story board.
Editing
12th Week
Stages of visual editing, sound(music, dialogues, sound effects) matching.
13th Week
Completing final operations concerning the post-production stages of the project.
RECOMENDED OR REQUIRED READING
SENARYO KİTABI / Senaryo Yazım Teknikleri ve Film Örnekleri
Öktem Başol, Pana Film Yayınları, İstanbul, 2010.
SENARYO VE YAPIM
Mahmut Tali Öngören, Alan Yayıncılık, İstanbul, 1985.
SENARYO YAZARI OLMAK
Feridun Akyürek, MediaCat Kitapları, İstanbul, 2004.
THE NONBROADCAST TELEVISION WRITER?S HANDBOOK
William Van Nonstran, Knowlwdge Industry Publications, Inc. NY, 1983.
ELEMENTS OF STYLE FOR SCREENWRITERS , The Essential Manual for Writers of Screenplays, Paul Argentini, IFilm Publishing, Lone Eagle Publising. Co., USA, New York, 1998.
THE SCREEN-WRITER?S WORKBOOK
Syd FIELD, Bantam Doubleday Dell Publishing Group, Inc., USA, New York, 1984.
WRITERS AT THE MOVIES, TWENTY-SIX - CONTEMPORARY AUTHORS CELEBRATE, TWENTY - SIX - MEMORABLE MOVIES, Edited by Jım Shepard, Perennial An Imprint of Harper Collins Publihers, New York, 2000.
SCREENWRITING
Ray Frensham, Printed in Great Britain for Hodder&Stoughton Educational, a division of Hodder Headline Ltd., London, 2003.
OYUN VE SENARYO YAZMA TEKNİĞİ
Turgut Özakman, Bilgi Yayınevi, İstanbul, 1998.
SENARYO KURAMI
Semir Aslanyürek, Pan Yayıncılık, İstanbul, 1998.
BİR SENARYO YAZMAK
Michael Chion, Çeviren. Nedret Tanyolaç, Afa Sinema Yayınları, İstanbul, 1997.
SENARYO YAZIMI (I - II) DERS NOTLARI
H. Hale KÜNÜÇEN, Gazi Üniversitesi İletişim Fakültesi (1994 - 2011), Ankara.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Practice
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Assignment
3
60
Project
1
40
Total(%)
100
Contribution of In-term Studies to Overall Grade(%)
100
Contribution of Final Examination to Overall Grade(%)
0
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
Preparation for Quiz
Individual or group work
Preparation for Final exam
Course hours
14
3
42
Preparation for Midterm exam
Laboratory (including preparation)
Final exam
Homework
3
25
75
Project
1
35
35
Total Workload
152
Total Workload / 30
5,06
ECTS Credits of the Course
5
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)