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COURSE UNIT TITLECOURSE UNIT CODESEMESTERTHEORY + PRACTICE (Hour)ECTS
WORLD CINEMA I FİLM213 Third Term (Fall) 3 + 0 4

TYPE OF COURSE UNITCompulsory Course
LEVEL OF COURSE UNITBachelor's Degree
YEAR OF STUDY2
SEMESTERThird Term (Fall)
NUMBER OF ECTS CREDITS ALLOCATED4
NAME OF LECTURER(S)Assistant Professor Aslı Gön
LEARNING OUTCOMES OF THE COURSE UNIT At the end of this course, the students;
1) Learn to interpret the film in its historical-cultural context
2) Comprehend a film (or a movement) by considering its precessors and successors(the factors those cause a film emerge and the effect of the film on the history of cinema)
3) Gain the ability to relate the cinema with the wold history, the movements of thought and individual life
MODE OF DELIVERYFace to face
PRE-REQUISITES OF THE COURSENo
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITIONThe course presents a perspective to the students to analyze the decay of other country cinemas from Hollywood, which has been rooted essentially in America and created its own language, style and a vision network on world with the studio/star system, and independent and multi-joint movies in world vision network. In this first course the subjects such as the invention, discovery and proliferation of cinema will be covered.
COURSE CONTENTS
WEEKTOPICS
1st Week Introduction, Introduction to course
2nd Week Pre-cinema devices, photography and cinematography
3rd Week Early years, T. Edison, Lumiere Brothers and George Melies, E.S. Porter, D.W. Griffith, Formalist and Realistic Film Theories
4th Week Robert Flaherty and the Birth of Documentary Cinema, John Grierson and British Documentary Movement
5th Week Silent Comedies
6th Week Silent Comedies
7th Week German Expressionism
8th Week Midterm Exam Week
9th Week Soviet Cinema and Montage
10th Week Soviet Cinema and Montage
11th Week Wartime Cinema
12th Week Postwar Cinema, Italian neorealism, French New wave
13th Week Cinema Verite, Direct Cinema
14th Week Cinema Verite, Direct Cinema
RECOMENDED OR REQUIRED READINGAbisel, Nilgün (2006) Sessiz Sinema. Ankara: DeKi
Hayward, Susan. Sinemanın Temel Kavramları (Çev. U. Kutay & M. Çavuş). İstanbul: Es.
Martha P. Nochimson. Bir Dünya Sinema. (Çev. Ö. Yaren). De Ki Yayınları.
Monaco, James. (2001). Bir Film Nasıl Okunur? Sinema Dili, Tarihi ve Kuramı (Çev. E. Yılmaz). İstanbul: Oğlak.
Nowell-Smith, Geoffrey (Ed.) (2003). Dünya Sinema Tarihi. (Çev. Ahmet Fethi). İstanbul: Kabalcı.
Özarslan, Zeynep. (Ed). (2013a). Sinema Kuramları I. İstanbul: Su.
Özarslan, Zeynep. (Ed). (2013b). Sinema Kuramları II. İstanbul: Su.
Teksoy, Rekin (2005a). Rekin Teksoy'un Sinema Tarihi Birinci Cilt. İstanbul: Oğlak.
Teksoy, Rekin (2005b). Rekin Teksoy'un Sinema Tarihi İkinci Cilt. İstanbul: Oğlak.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODSLecture,Questions/Answers,Viewing,Discussion,Other
ASSESSMENT METHODS AND CRITERIA
 QuantityPercentage(%)
Mid-term140
Attendance110
Total(%)50
Contribution of In-term Studies to Overall Grade(%)50
Contribution of Final Examination to Overall Grade(%)50
Total(%)100
ECTS WORKLOAD
Activities Number Hours Workload
Midterm exam122
Preparation for Quiz
Individual or group work
Preparation for Final exam14040
Course hours14342
Preparation for Midterm exam13535
Laboratory (including preparation)
Final exam122
Homework
Presentation (including preperation)
Project
Field Research
Research
Preperation for Presentations
Total Workload121
Total Workload / 304,03
ECTS Credits of the Course4
LANGUAGE OF INSTRUCTIONTurkish
WORK PLACEMENT(S)No
  

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