At the end of this course, the students; 1) Use the settings and vehicles about film-shooting competently. 2) Put into practise the scripted project creatively, develop suitable methods and techniques. 3) Complete their projects by considering the communication characteristics, needs and differences of the people and institutions they work with.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
Yes(RTS333)
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
None
COURSE DEFINITION
Students are expected to realize their short film project proposals (including documentary, experimental and making of videos) created in Short Film Production I. This semester is organized as a step-by-step production journey through three major steps of film production: Pre-production (crewing up, shooting plan, script breakdown, choosing the cast, location scouting etc.), Production (shooting, directing actors, continuity, regie etc.) and Post-production (editing, sounc mixing etc.). The course focuses on the process from script to screen. The learning process centers around the student's own ideas and works. The course expects the students to realize their short film projects, design their publicity materials and encourages them to submit their work to film festivals.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introductıon.
2nd Week
Revısıtıng the ıdeas and crewıng up.
3rd Week
Short fılm as a way of expressıon.
4th Week
Preproductıon: Breakıng down the ıdea.
5th Week
Preproductıon: Vısualısıng the ıdea .
6th Week
Preproductıon: Vısualısıng the scrıpt.
7th Week
Preproductıon: Gettıng ready.
8th Week
Ara sınav
9th Week
On sound desıgn / on "makıng of" vıdeo.
10th Week
Productıon.
11th Week
Postproductıon: Rough cut.
12th Week
Postproductıon: Fıne tunnıng.
13th Week
On fılm festıvals and submıssıon.
14th Week
Publızısıng your short fılm.
RECOMENDED OR REQUIRED READING
Bishop, Nancy (2009) Secrets From the Casting Couch: On Camera Strategies for Actors from a Casting Director. London: Black Puplishing Brown, Blain. Motion Picture and Video Lighting. Oxford: Focal Press Grant, Tony. Audio for Single Camera Operation. Oxford: Focal Press Irving, David & Rea, Peter (2004) Sinema ve Videoda Kısa Film: Yapım Öncesi İstanbul: Es yayınları Irving, David & Rea, Peter (2004) Sinema ve Videoda Kısa Film: Yapım Sonrası İstanbul: Es yayınları Katz, Steven (1991) Film Directing Shot by Shot: Visualizing From Concept to Screen Oxford: Media Manual Focal Press Marie, Kathryn (2010) Film Music: A Very Short Introduction, Oxford University Press. Munroe, Roberta (2009) How Not to Make a Short Film: Secrets from a Sundance Programmer, Hyperion. Millerson, Gerald (2006) Video Camera Techniques. Oxford: Media ManualFocal Press. Parker, Nathan (2011) Kısa Filmler: Nasıl Yapılır, Nasıl Dağıtılır İstanbul: Kalkedon Yayınları Thurlow, Clifford (2008) Making Short Films: The Complete Guide from Script to Screen, Berg Publishers. Ward, Peter (2005) Picture Composition for Film and Television. Oxford: Media Manual Focal Press. Weston, Judith (1996) Directing Actors: Creating Memorable Performances for Film and TV. Michigan: Mc Naughton & Gunn.