TYPE OF COURSE UNIT	Elective Course
LEVEL OF COURSE UNIT	Bachelor's Degree
YEAR OF STUDY	-
SEMESTER	-
NUMBER OF ECTS CREDITS ALLOCATED	5
NAME OF LECTURER(S)	Associate Professor Çağdaş Emrah Çağlıyan
LEARNING OUTCOMES OF THE COURSE UNIT	At the end of this course, the students; 1) Have information about the path in which the history of cinema developed. 2) Learn to evaluate the film in its historical-cultural context. 3) Comprehend a film (or movement) by considering its predecessor and successor (the factors that led to the emergence of the film and the effect of the film on the history of cinema). 4) Gain the ability to associate cinema with world history, current of thought and individual life. 5) Acquire the identity of a competent and qualified cinema literate.
MODE OF DELIVERY	Face to face
PRE-REQUISITES OF THE COURSE	No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT	None
COURSE DEFINITION	The History of World Cinema course is designed for students who want to have extensive experience in cinema and who want to learn film production with its historical and theoretical dimensions. The history of cinema will be examined starting from the Italian Neorealistic tradition. In order to fully master the subject, sample films suitable for each period will be shown and discussed.
COURSE CONTENTS	WEEK TOPICS 1st Week Course Introduction & Introduction 2nd Week Neorealism and the Rise of Italian Cinema 3rd Week Sample movie screening: The Earth Shakes (La Terra Trema, dir. Luchino Visconti, 1948) & Discussion 4th Week The New Wave and the Domination of French Cinema 5th Week Sample Film Screening: 400 Blows (dir. François Truffaut, 1959) &Discussion 6th Week The Evolution of Italian Cinema & The Generation of Great Directors 7th Week Sample Film Screening: The Night (La Notte, dir. Michelangelo Antonioni, 1962) & Discussion 8th Week Midterm 9th Week Renewal in Post-New Wave American Cinema 10th Week Sample Film Screening: Bonnie & Clyde (dir. Arthur Penn, 1967) & Discussion 11th Week Auteurs who made a great impact in the history of cinema ? 1: Bergman / Sample Film Screening: The Seventh Seal (Det Sjunde Inseglet, 1957) & Discussion 12th Week Auteurs who made a great impact in the history of cinema ? 2: Tarkovsky / Sample Film Screening: The Mirror (Zerkalo, 1975) & Discussion 13th Week Renewal & Upgrade Period in German Cinema 14th Week Sample Film Screening: Stroszek (dir. Werner Herzog, 1975) & Discussion
RECOMENDED OR REQUIRED READING	Teksoy, Rekin, (2005) Rekin Teksoy?un Sinema Tarihi, İstanbul, Oğlak Yayıncılık. Monaco, James, (2007) Bir Film Nasıl Okunur?, çev. Ertan Yılmaz, İstanbul, Oğlak Yayıncılık. (zorunlu) Kolker, Robert (2011) Film, Biçim ve Kültür, çev. Ertan Yılmaz, Fırat Ertınaz, Ali Güney, Zeynep Özen, Onur Şakır, Berivan Tokem, Dilek Tunalı, Ankara, De Ki Yayınevi. Kolker, Robert (2010), Değişen Bakış, çev. Ertan Yılmaz, Ankara, De Ki Yayınevi. Bazin, Andre, () Sinema Nedir Kovacs, Andras Balint (2015). Modernizmi Seyretmek, çev. Ertan Yılmaz, Ankara, De Ki Yayınevi. DÜNYA SİNEMA TARİHİ, Editör: Geoffrey Nowell - Smith, Çeviren: Ahmet Fethi, Kabalcı Yayınevi, İstanbul, 2003 ÇAĞDAŞ SİNEMANIN SORUNLARI Andre Bazin,(Çev.: Nijat Özön), Bilgi Yayınevi, Ankara, 1966. SİNEMA DERSLERİ Sergey M. Eisenstein, (Çev.: Engin Ayça), Hil Yayınları, İst,1986.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS	Lecture,Presentation,Other,Discussion,Questions/Answers
ASSESSMENT METHODS AND CRITERIA	Quantity Percentage(%) Mid-term 1 40 Assignment 1 10 Total(%) 50 Contribution of In-term Studies to Overall Grade(%) 50 Contribution of Final Examination to Overall Grade(%) 50 Total(%) 100
ECTS WORKLOAD	Activities Number Hours Workload Midterm exam 1 2 2 Preparation for Quiz Individual or group work Preparation for Final exam 1 50 50 Course hours 14 3 42 Preparation for Midterm exam 1 30 30 Laboratory (including preparation) Final exam 1 2 2 Homework 2 8 16 Total Workload 142 Total Workload / 30 4,73 ECTS Credits of the Course 5
LANGUAGE OF INSTRUCTION	Turkish
WORK PLACEMENT(S)	No