At the end of this course, the students; 1) Analyze the relationship between cinema, city and architecture. 2) Learn and utilize the cinematic way of seeing and thinking. 3) Learn the methods of montage and analyze its relation with architectural design. 4) Improve skill on production and interpretation of space through movie analyses. 5) Associate architectural movements with cinema, cinema with architectural and urban space production. 6) Acquire a critical perspective on the production, representation and perception of space.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
This course aims to examine the similarities between cinema and architecture, which are directly related to the production, representation, and perception of space. In the first part of the course, theoretical presentations and discussions will be conducted on the spatial construction and representation methods throughout the historical process, the development of cinema and cinematic space, the influence of architecture on cinema-architectural movements on cinema. Furthermore, the course aims to explore the cinematic images and symbols that cities possess and their impact on urban space production and perception. In addition to theoretical discussions, the course will also involve film screenings and analysis to reinforce the topics covered and enable students to develop a critical perspective on the relationship between architecture, city and cinema. At the end of the course, students will be expected to prepare a report by conducting research and analyzing films on the topics specified.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction: Information about the course schedule, course objectives, and methodology / Information about the research assignment and determination of study groups.
2nd Week
Space: Production, perception and meaning of space
3rd Week
Space: Production, perception and meaning of space
4th Week
Architecture and Cinema: Introduction to the history of cinema
5th Week
Architecture and Cinema: Architecture in cinema
6th Week
Architecture, City and Cinema: Architecture and cinematic images
7th Week
City and Cinema: The role of cinema on production, interpretation and transformation of urban space
8th Week
MID-TERM
9th Week
Student Presentations: Screening of Film 1, examination of details, and evaluation.
10th Week
Student Presentations: Screening of Film 2, examination of details, and evaluation.
11th Week
Student Presentations: Screening of Film 3, examination of details, and evaluation.
12th Week
Student Presentations: Screening of Film 4, examination of details, and evaluation.
13th Week
Student Presentations: Screening of Film 5, examination of details, and evaluation. / Explanation of the final assignment
14th Week
Desk and panel critics on final assignment / Announcement of the deadline for final assignment
RECOMENDED OR REQUIRED READING
Albrecht, Donald. Designing Dreams: Modern Architecture in the Movies (Architecture and Film, 2). Hennessey and Ingalls, 2000.
Allmer, Açalya. Sinemekan - Sinemada Mimarlık. İstabul: Varlık Yayınları, 2010.
Architecture and Film. Ed. Mark Lamster. New York: Princeton Architectural Press, 2000.
Architecture and Film. Ed. Maggie Toy. London: VCH Publishing Group, 1994.
?Architecture on Screen?. Program for Art on Film. New York: G. K. Hall, 1993.
?ARCHICINE?. Federico Babina. (erişim: 21.02.2018)
< http://federicobabina.com/ARCHICINE>
Casebier, Allan. Film and Phenomenology: Towards a Realist Theory of Cinematic Representation. Cambridge: Cambridge University Press, 1991.
Casetti, Francesco. Theories of Cinema. Austin: University of Texas Press, 1999.
Cinema and The City. Ed. Mark Siel ve Tony Fitzmaurice. Oxford: Blackwell Publishers Ltd, 2004.
Davis, Ronald L. Celluloid Mirrors. Fort Worth: Hartcourt Brace College Publishers, 1997.
Deleuze, Gilles. Cinema 1. Minneapolis: University of Minnesota Press, 1986.
Denzin, Norman K. The Cinematic Society. London: SAGE Publications Ltd., 1995.
Fear, Bob. Architecture + Film II (Architectural Design 70). New York, 2000.
Film Architecture: Set Designs from Metropolis to Blade Runner. Ed. Dietrich Neumann. Munich: Prestel-Verlag, 1996.
Herbert, David T., ve Colin J. Thomas. Cities in Space: City as Place. London: David Fulton Publishers, 1990.
Hillier, Bill, ve Julienne Hanson. The Social Logic of Space. New York: Press Syndicate of the University of Cambridge, 1984.
Jules, Frederick. Form/Space and The Language of Architecture. Milwaukee: University of Wisconsin Press, 1974.
Kentte Sinema Sinemada Kent. Haz. Nurçay Türkoğlu, Mehmet Öztürk ve Göksel Aymaz. İstanbul: Yeni Hayat Yayıncılık, 2004.
Lamster, Mark. Film and Architecture. New York: Princeton Architectural Press, 2000.
Lefebvre, Henri. Mekanın Üretimi. Çev. Işık Ergüden. İstanbul: Sel Yayıncılık, 2014.
Lehman, Peter, ve William Luhr. Thinking About Movies. Oxford: Blackwell Publishing, 2007.
Monaco, James. Bir Film Nasıl Okunur? Sinema Dili, Tarihi ve Kuramı. İstanbul: Oğlak Yayıncılık, 2013.
Öztürk, Mehmet. Sine-Masal Kentler. İstanbul: Doğu Kitabevi, 2014.
Pallasmaa, Juhani. The Architecture of Image: Existential Space in Cinema Helsinki: Rakennustieto, 2001.
Pile, Steve. Real Cities. London: SAGE Publications Ltd, 2005.
Philosophy and Film. Ed. Cynthia A. Freeland ve Thomas E. Wartenberg. New York: Routledge, 1995.
Pisters, Patricia. The Matrix of Visual Culture, Working with Deleuze in Film Theory. Stanford: Stanford University Press, 2003.
Ryan, Michael, ve Douglas Kellner. Camera Politica. Bloomington: Indiana University Press, 1988.
Sanders, James. Celluloid Skyline: New York and the Movies.New York: Knopf, 2003.
Screening the City. Ed. Mark Siel ve Tony Fitzmaurice. London: Verso, 2003.
Shindler, Colin. Hollywood in Crisis. London: Routledge, 1996.
Singer, Irving. Reality Transformed. Cambridge: The MIT Press, 1998.
Spaces in European Cinema. Ed. Myrto Konstantarakos. Portland: Intellect Nooks, 2000.
The Cinematic City. Ed. David B. Clarke. London: Routledge, 1997.
Whyte, Jennifer. Virtual Reality and the Built Environment. Oxford: Architectural Press, 2002.
xistential Space in Cinema Helsinki: Rakennustieto, 2001.
