At the end of this course, the students; 1) can understand and analyze the chords used in the works in the literature.
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
None
COURSE DEFINITION
Will be able to realize a given bass or melody, and analyze works selected from the literature.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Brief introduction of the course, the resources to be used and the way of studying.
2nd Week
The development of polyphony in Europe.
3rd Week
Chord organizations in major and minor tones.
4th Week
Basic functions. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
5th Week
Cadences. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
6th Week
Sounds foreign to harmony. Hrmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
7th Week
Side functions. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
8th Week
MIDTERM
9th Week
6th chords. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
10th Week
4/6 chord. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
11th Week
Dominant 7th chord. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
12th Week
Rootless dominant 7th chord. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
13th Week
Dominant 9th chord - A rootless dominant 9th chord. Harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
14th Week
Dominant 5/6 chord. harmonization, melody and bass harmonization, analysis studies, harmonic listening exercises, practical accompaniment of melodies.
RECOMENDED OR REQUIRED READING
Harmonielehre 1, 2, 3, H. Andreas G. Friedrichs. Aufgaben Für Harmonieschüler 1,2. Harmonielehre, Thomas Kraemer. Lehrbuch Der Harmonischenanalyse. Modilationslehre, Doris Geller. Harmonielehre, Diether de la Motte. Beitrag zur Durmolltonalen Harmonielehre 1,2, Wilhelm Maler. Armoni, Nurhan Cangal.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Practice,Questions/Answers
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Mid-term
1
30
Assignment
1
10
Total(%)
40
Contribution of In-term Studies to Overall Grade(%)
40
Contribution of Final Examination to Overall Grade(%)
60
Total(%)
100
ECTS WORKLOAD
Activities
Number
Hours
Workload
Midterm exam
1
1
1
Preparation for Quiz
Individual or group work
14
1
14
Preparation for Final exam
1
20
20
Course hours
14
2
28
Preparation for Midterm exam
1
15
15
Laboratory (including preparation)
Final exam
1
1
1
Homework
12
1
12
Meeting with advisor
1
1
1
Total Workload
92
Total Workload / 30
3,06
ECTS Credits of the Course
3
LANGUAGE OF INSTRUCTION
Turkish
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)