Home  »  State Conservatory »  Music Theory Art Branch

COURSE UNIT TITLECOURSE UNIT CODESEMESTERTHEORY + PRACTICE (Hour)ECTS
ANALYSIS II YMT354 Sixth Term (Spring) 2 + 0 4

TYPE OF COURSE UNITCompulsory Course
LEVEL OF COURSE UNITBachelor's Degree
YEAR OF STUDY3
SEMESTERSixth Term (Spring)
NUMBER OF ECTS CREDITS ALLOCATED4
NAME OF LECTURER(S)Instructor Duysal İmsel
Professor Melik Ertuğrul Bayraktarkatal
LEARNING OUTCOMES OF THE COURSE UNIT At the end of this course, the students;
1) They learn basic information about music analysis methods.
2) Can analyze selected examples from the literature.
MODE OF DELIVERYFace to face
PRE-REQUISITES OF THE COURSENo
RECOMMENDED OPTIONAL PROGRAMME COMPONENTNone
COURSE DEFINITIONExamines the works of composers of various musical periods in terms of harmony, polyphony, melody, form and texture theoretically and practically.
COURSE CONTENTS
WEEKTOPICS
1st Week 1770-1810, Haydn, Mozart, Beethoven, Change of style; The four-bar symmetric harmonic structure and form in the violin sonatas of Johann Stamitz, Allegro, Symphony A major Presto, Mozart, Larghetto, Mozart, the idea of ??cadence in the classical period,
2nd Week Relationship between cadence and form; Haydn, Op.76, Nr. 3 String Quartets, Mozart, Don Giovanni, Modulation; Mozart, Kv 333 Sonata in Bb major, Haffner-Symphony, Haydn, Symphony 103, Mozart, Linz-Symphony, Symphony 40,
3rd Week Altered chords; Mozart, KV 533, 248, 309, 576 in F major, 310 sonatas, Haydn, Symphony 104, Beethoven, Bagatelle Op.119 Nr.8
4th Week 1800-1828, Beethoven, Schubert; triple kinship, Schubert, Op. 163 Sonata in C major, Beethoven, Op. Sonata in 100 Eb Major, Yeden kinship; Beethoven, Op. 95, F minor string quartet, 9th Symphony Part 1, Chromatic change; Schubert, Op. 100 Mib major,
5th Week 1830-1850; Schumann, Dichterliebe no: 4, 12, Op. 24 Ich wandelte unter den Baumen, Zwielicht, Op.10 Liederkreis, D7/9, 3rd Symphony Abegg- Variationen, Intermezzi Op. Nr.1, Kinderzsenen Nr.5, D7 chord, Op.27 Nr.5, Frauenliebe und-Leben Nr.8
6th Week Rootless D/7 chord, Op.27 Nr.5, Frauenliebe und-Leben Nr.8, Symphony 3, Chamisso-Lied Op. 27 Nr.3
7th Week Chopin, Mazurka Op.7 Nr. 4, Prelude Op.28 Nr.4 C# Minor roll,
8th Week Midterm,
9th Week Brahms, Chorsatz, İn stiler Nacht, 4th Symphony, Part 2, Ein deutsces Requiem, (chor),
10th Week 4/6 chord with Red Link, Tristan Part 1, Scene 5 and 2, Parsifal, Beginning of Part 2 (Kundry),
11th Week 1857-1858, Wagner, Areas without a Tonic axis; Tristan und Isolde Part 3,
12th Week Tristan Chord, Cycle of Delay tones
13th Week Lohengrin, Act 1, Brautchor,
14th Week II. Short review of the semester, preparation for the exam.
RECOMENDED OR REQUIRED READINGDiether de la Motte, Harmonielehre
Thomas Kraemer, Lehrbuch der Harmonischen Analyse
Kondrad Georgi, Harmonielehre, Übungsbuch
Walter Salmen, Norbert J. Schneider, Der Musikalische Satz
PLANNED LEARNING ACTIVITIES AND TEACHING METHODSLecture,Questions/Answers,Practice
ASSESSMENT METHODS AND CRITERIA
 QuantityPercentage(%)
Mid-term130
Assignment110
Total(%)40
Contribution of In-term Studies to Overall Grade(%)40
Contribution of Final Examination to Overall Grade(%)60
Total(%)100
ECTS WORKLOAD
Activities Number Hours Workload
Midterm exam111
Preparation for Quiz
Individual or group work14228
Preparation for Final exam12020
Course hours14228
Preparation for Midterm exam11515
Laboratory (including preparation)
Final exam111
Homework12224
Meeting with advisor111
Total Workload118
Total Workload / 303,93
ECTS Credits of the Course4
LANGUAGE OF INSTRUCTIONTurkish
WORK PLACEMENT(S)No
  

KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)
LO1LO2
K1  X  
K2   
K3   
K4   
K5   
K6   
K7   
K8  X  
K9   
K10   
K11   
K12   
K13   
K14   
K15   
K16   
K17   
K18   
K19   
K20   
K21   
K22   
K23   
K24   
K25   
K26   
K27