At the end of this course, the students; 1) will be able to use the elements and terms related to comics, comic books, and graphic novels 2) learn the historical development of graphic narratives and will be able to link them to the cultural, intellectual and political changes in America. 3) will be able to use techniques of close reading and academic research used for graphic narratives
MODE OF DELIVERY
E-Learning
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
No
COURSE DEFINITION
This course aims to teach students the literary terms of graphic novels, to highlight the development of social and historical issues that make up the foundations of American culture and their representations in the graphic novel, and to further emphasize the position of the graphic novel within American literature.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction to the Course & Overview of the Syllabus; A Brief History of Comics, Comic Books, and Graphic Novels
2nd Week
Vocabulary of Comics, Example Short Readings
3rd Week
Critical Approaches to Graphic Narratives
4th Week
Horror Comics: Example Readings from The Dark Horse Book of Horror (2017)
5th Week
Example Reading: I Hate Fairyland (2015) by Skottie Young
6th Week
Midterm I + Project Submission
7th Week
The Superhero Genre, A Brief History; Umberto Eco, ?The Myth of Superman,? pp. 146-164
8th Week
The Superhero Genre and its Cultural Significance: Example readings from the series Captain America and The Batman; Mila Bongco, ?Reading Comics,? pp. 85-123
9th Week
Deconstructing Superheroes: Example Readings from Marvel 1602 (2003) and The Boys (2006)
10th Week
Will Eisner ?A Contract with God?
11th Week
Art Spiegelman MAUS I, End of Semester Assignment Deadline
12th Week
Art Spiegelman MAUS I
RECOMENDED OR REQUIRED READING
Duncan, Randy ve Matthew J. Smith. Power of Comics: History, Form, and Culture. Continuum, 2009.
Eisner, Will. Comics and Sequential Art. Poorhouse Press, 1985.
Eisner, Will. Graphic Storytelling and Visual Narrative: Principles and Practices from the Legendary Cartoonist. W. W. Norton & Company, 2008.
McCloud, Scott. Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form. Harper-Perennial, 2000.
McCloud, Scott. Understanding Comics: The Invisible Art. Harper-Perennial, 1994.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS
Lecture,Project,Questions/Answers,Other
ASSESSMENT METHODS AND CRITERIA
Quantity
Percentage(%)
Mid-term
1
30
Assignment
1
20
Project
1
15
Attendance
1
5
Total(%)
70
Contribution of In-term Studies to Overall Grade(%)
70
Contribution of Final Examination to Overall Grade(%)
30
Total(%)
100
LANGUAGE OF INSTRUCTION
English
WORK PLACEMENT(S)
No
KEY LEARNING OUTCOMES (KLO) / MATRIX OF LEARNING OUTCOMES (LO)