TYPE OF COURSE UNIT	Compulsory Course
LEVEL OF COURSE UNIT	Master's Degree With Thesis
YEAR OF STUDY	1
SEMESTER	First Term (Fall)
NUMBER OF ECTS CREDITS ALLOCATED	10
NAME OF LECTURER(S)	Professor Şebnem Pala Güzel Assistant Professor Erdem İlic
LEARNING OUTCOMES OF THE COURSE UNIT	At the end of this course, the students; 1) avail themselves of an understanding of key concepts and debates about both image and moving image with reference to art, philosophy and politics. 2) learn to locate and contemplate on different theoretical positions towards aesthetic and politics of image. 3) learn to construct a solid grounding of conceptual and theoretical language within various context of the image and also to analyze and synthesize the interplay of aesthetic, politics and technology in relation to both reproduction and reception of the image.
MODE OF DELIVERY	Face to face
PRE-REQUISITES OF THE COURSE	No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT	none.
COURSE DEFINITION	The perception of time-space, which is expressed through the image, is realized by the theoretical and political interface that communication, politics, philosophy and art creates among each other's. In this course, the philosophical, aesthetic quality of the image and its movement in time-space and politics of theseepistemological and methodological positions that creates the interfaces areanalyzed through present, probable type and narratives by a critical perspective.
COURSE CONTENTS	WEEK TOPICS 1st Week Image: visible and invisible. Image anti-image 2nd Week Aesthetics and philosophy of art and image 3rd Week The origin of work of art in reference to image 4th Week The ontology of the image 5th Week Cinematographic image 6th Week Poetics of media 7th Week Semiotics of the image 8th Week Midterm 9th Week Iconology: Image, Text, Ideology 10th Week Hermeneutics of the image 11th Week Representation: aesthetic and politics 12th Week Reception:aesthetic pole and and artistic pole 13th Week Reception: dominant, negotiated and oppositional 14th Week Visual culture and visual representation
RECOMENDED OR REQUIRED READING	Asa Berger, Arthur. 1984. Signs in Contemporary Culture. NewYork: Longman. Deleuze Gilles. 2014 Sinema I Hareket-İmge (Çev.Soner Özdemir).İstanbul:Norgunk. Deleuze Gilles & Felix Guattari. 2014. A Thousand Plateaus (Trans. Brain Massumi) Bloomsbury Press. Eco, Umberto. 1979. A theory of semiotics. Bloomington Indiana University Press Eco, Umberto. 2012. Güzelliğin Tarihi (Çev. Ali Cevat Akkoyunlu).İsatnbul: Doğan Egmont Yayıncılık. Eco, Umberto. 2009. Çirkinliğin Tarihi (Çev. Tankut Gökçe).Istanbul: Doğan Egmont Yayıncılık. Foucault, Michel. 1970 The Order of Things (trans. Anon). London: Routledge Heiddeger, Martin. The Origin of Work of Art. Cambridge University Press. Jauss, Hans Herbert. 1982.Toward an Aesthetic of Reception (Trans. Timothy Bahti) Minneapolis: University of Minnesota Press. Mitchell, W. J. T. 1986. Iconology: Image, Text, Ideology. Chicago: The University of Chicago Press. Panofsky, Erwing. 1972. Studies in Iconology. Oxford: WestviewPress.
PLANNED LEARNING ACTIVITIES AND TEACHING METHODS	Lecture,Discussion
ASSESSMENT METHODS AND CRITERIA	Quantity Percentage(%) Mid-term 1 20 Assignment 1 40 Total(%) 60 Contribution of In-term Studies to Overall Grade(%) 60 Contribution of Final Examination to Overall Grade(%) 40 Total(%) 100
LANGUAGE OF INSTRUCTION	English
WORK PLACEMENT(S)	No