At the end of this course, the students; 1) Critical thinking 2) Thinking in context 3) Abilty to work in a particular subject limitations 4) Expressing conceptual thinking and thoughts verbally and visually. 5) Establishing and interpreting the history of animation film to today 6) Solving design problems and generating orginal ideas 7) Ability to comply with existing laws and regulations and to take ethical responsibility 8) Developing and monitoring the changing technology and choosing the appropriate self 9) Having the basic principles while filming an animation and transfering these knowledges while filming 10) In art design field ability to work interdisciplinary 11) Taking responsibilities and be part in teamwork in cooperative learning model
MODE OF DELIVERY
Face to face
PRE-REQUISITES OF THE COURSE
No
RECOMMENDED OPTIONAL PROGRAMME COMPONENT
COURSE DEFINITION
In this course, it is aimed to gain the ability of research, idea generation, visualization and visual perception in the process of animation from beginning to end. In this context, it is aimed to express an idea aesthetically through visual language by seeing, exploring, exploring, researching.
COURSE CONTENTS
WEEK
TOPICS
1st Week
Introduction
2nd Week
What is an Animation Director?
3rd Week
Creative Process
4th Week
How to write a good story?
5th Week
The Director as Storyteller
6th Week
The importance of the character and ıts design in the story
7th Week
Animated movie and Class disscussion
8th Week
Midterm
9th Week
Teamwork and its importance
10th Week
What makes a director unique
11th Week
Animated movie and class disscussion
12th Week
Preparation phase of the project, encountered problems and solutions
13th Week
Budget and Schedule
14th Week
Continuing success and improving oneself
RECOMENDED OR REQUIRED READING
Bancroft Tony, Directing for Animation, Focal Press, 2014 Wright Ann j., Animation Writing and Development: From Script Development to Pitch, Focal Press, 2005 Batkin Jane, Identity in Animation: A Journey into Self, Difference, Culture and the Body , Routledge, 2017